Projects extending film provision to groups / communities that have limited access to specialised film content and providing increased opportunities for diverse and disparate communities to enjoy a range of cinematic experiences.
Case Study
Films about queerness + dis/ability curated by Wotever DIY via Queer Film Network (QFN)
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Case Study
In May 2019 Stirling Women’s Aid took over the film programming at Macrobert Arts Centre.
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Case Study
Inclusive Cinema is a digital resource for exhibitors created to support inclusive practice and increased engagement of diverse audiences.
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Case Study
The Wales-Africa Film Club is an informal community of people interested in watching and exploring African film.
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Case Study
Now in its sixth year, 2018 saw the Into Film Festival introduce 30,000 young people went to the cinema for the very first time.
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Case Study
‘Out at the Cameo’ was a project delivered by Picturehouse at the Cameo cinema, aimed to recruit and train a group of young people to give them the skills and confidence to establish and programme a new LGBTQ+ strand at the cinema.
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Case Study
A Wall Is A Screen: Leith was a free guided short film walk with films projected onto the exterior of buildings after dark.
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Case Study
To develop inclusive cinema serving rural/isolated audiences on the Isle of Tiree, the most westerly of the Inner Hebrides. Tiree has a population of 650 and the nearest cinema is 4 hours away on a ferry. The project was initiated by Jen Skinner in December 2015 using an old projector in the cattle market.
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Case Study
GLITCH Film Festival is vital, ground-breaking and unique. Our programming focus centres around LGBTIQA+ people of colour. It encompasses either films/artists moving image created by LGBTIQA+ people of colour on any subject or films that feature/document LGBTIQA+ people of colour made by directors of any identity.
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Case Study
An exciting and unique partnership between seven cinemas in North Wales working collectively to promote British independent and international film.
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