Case study
Farnborough Sixth Form College teamed up with members of BFI FAN and the award winning film society Fleet Film to create Fleet Film Student Festival.
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Case study
Bridport Arts Centre piloted a ‘Young Programmers’ scheme which developed this target audience by employing young programmers to programme screenings with and for under 30s.
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Case study
Working in partnership with Telford and Wrekin Council, Flatpack Festival co-produced and delivered the inaugural Telford Film Festival to celebrate the town’s fiftieth anniversary.
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Case study
In May 2019 Stirling Women’s Aid took over the film programming at Macrobert Arts Centre.
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Case study
The New Towns, Our Town Project uses rare archive film to increase the visibility of, and pride in, the story of the New Town movement.
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Case study
In February, Into Film organised a UK-wide season of schools screenings to coincide with LGBTQ+ History Month. Films selected by exhibitors in the programme from a curated package included: Before Stonewall, The Greatest Showman, Love, Simon, Moonlight and Tomboy.
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Case study
Inclusive Cinema is a digital resource for exhibitors created to support inclusive practice and increased engagement of diverse audiences.
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Case study
The Wales-Africa Film Club is an informal community of people interested in watching and exploring African film.
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Case study
Now in its sixth year, 2018 saw the Into Film Festival introduce 30,000 young people went to the cinema for the very first time.
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Case study
‘Out at the Cameo’ was a project delivered by Picturehouse at the Cameo cinema, aimed to recruit and train a group of young people to give them the skills and confidence to establish and programme a new LGBTQ+ strand at the cinema.
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