Case study
A Wall Is A Screen: Leith
A Wall Is A Screen: Leith was a free guided short film walk with films projected onto the exterior of buildings after dark.
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Case study
Case study
Bringing Film to the Westerly Edge
To develop inclusive cinema serving rural/isolated audiences on the Isle of Tiree, the most westerly of the Inner Hebrides. Tiree has a population of 650 and the nearest cinema is 4 hours away on a ferry. The project was initiated by Jen Skinner in December 2015 using an old projector in the cattle market.
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Case study
Glitch Film Festival: powerful film by LGBTIQA+ people of colour
GLITCH Film Festival is vital, ground-breaking and unique. Our programming focus centres around LGBTIQA+ people of colour. It encompasses either films/artists moving image created by LGBTIQA+ people of colour on any subject or films that feature/document LGBTIQA+ people of colour made by directors of any identity.
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Article
This Way Up 2016, Day 2: Documentary, Data & VR
BFI Talent Presents: Roger Ross Williams in Conversation Day Two kicked off with a conversation between acclaimed filmmaker Roger Ross Williams and Janice Forsyth…
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Article
This Way Up 2016 Day 1: Abundance, abundance, abundance
The Problem with Abundance My first panel of This Way Up 2016 sought to built on the themes of Bobby Allen’s opening keynote speech…
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Article
This Way Up 2016 Day 1: Experience, experience, experience
The first day of the conference began with questions; about an abundance of content and formats, the design and purpose of physical spaces and…
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Case study
Visible Cinema
A monthly film club monthly for deaf and hard of hearing film lovers
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Article
Why the situation for parents in the creative industries needs to improve
Only 14% of women working in the film industry have children. Hope Dickson Leach explains why the current situation for parents and carers in…
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Case study
Made in My Toun
A Scotland-wide tour of archive film screenings and special guests exploring what our towns and cities mean to us today
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