Projects demonstrating a contribution to reducing under-representation of target groups (disability, gender, race, age, socio-economics & sexual orientation), particularly in relation to audiences (as outlined in the BFI Diversity Standards)
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Case Study
‘Out at the Cameo’ was a project delivered by Picturehouse at the Cameo cinema, aimed to recruit and train a group of young people to give them the skills and confidence to establish and programme a new LGBTQ+ strand at the cinema.
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Case Study
A Wall Is A Screen: Leith was a free guided short film walk with films projected onto the exterior of buildings after dark.
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Article
A free library of hundreds of reports, research documents, toolkits, and data sets – now available in one place for the first time, indexed, and searchable.
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Article
inclusivecinema.org is a digital resource that brings together existing best practice guidance, articles and opinion pieces, research and data and case studies.
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Case Study
To develop inclusive cinema serving rural/isolated audiences on the Isle of Tiree, the most westerly of the Inner Hebrides. Tiree has a population of 650 and the nearest cinema is 4 hours away on a ferry. The project was initiated by Jen Skinner in December 2015 using an old projector in the cattle market.
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Case Study
GLITCH Film Festival is vital, ground-breaking and unique. Our programming focus centres around LGBTIQA+ people of colour. It encompasses either films/artists moving image created by LGBTIQA+ people of colour on any subject or films that feature/document LGBTIQA+ people of colour made by directors of any identity.
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Case Study
An exciting and unique partnership between seven cinemas in North Wales working collectively to promote British independent and international film.
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Case Study
WOW Women’s Film Club runs inclusive female-friendly daytime screenings, reaching out to people from across BME communities in South Wales.
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Case Study
The Queer Film Network (QFN) is a growing network of film programmers across the UK who specialise in LGBTQIA+ programming.
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