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With younger audiences preferring to watch films on streaming services, film student Jess Partington writes how cinemas need to adapt in a changing landscape.
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The FAN Young Consultants are a 21 strong group of under 30 year olds working in Film Exhibition across the UK who’ve been brought together to represent and provide an authentic youth voice for the Network.
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This Way Up 2019 saw a reverse panel of film students ask exhibitors questions about the challenges the industry and how it could change over the next few years. We invited them to write about their experiences attending the conference.
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This year’s This Way Up, a two-day gathering for those working in the exhibition sector that explores new ideas in audience behaviours, looks at emerging trends and ideas, and discusses the future of cinema, will be focusing on Resilience, Celebration and the Future with a wide range of workshops and speakers.
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To promote the latest BFI Major Programmes season – BFI Musicals – Bristol, Cardiff and Manchester played host to flash mobs performing Singin’ In The Rain from the Gene Kelly classic.
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Mencap and Signature Entertainment, the UK distribution company for The Peanut Butter Falcon, have teamed up to help address the historic under-representation of people with a learning disability in the film industry with support from BFI FAN New Releases.
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South West cinema goers and venues are being applauded for their role in helping make BAIT, a low budget black and white film, shot on a vintage wind-up camera and produced in the West Country, one of the most successful UK independent releases of the year.
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A report on how the 2018/2019 BFI FAN’s New Release Support titles have revealed that the programme continues to be valued by exhibitors and…
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Last month in Cannes, Europa Cinemas revealed their latest innovation survey “How Data is Transforming Audience Relationships” .
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Laura Houlgatte, CEO of the International Union of Cinemas (UNIC), the European cinema trade grouping, today used her keynote address at CineEurope 2019 to reflect on the diverse and resilient nature of the sector and the bright future she saw for European cinema-going.
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